![bahramji & mashti bahramji & mashti](https://i.ytimg.com/vi/Zck0LAyWy88/maxresdefault.jpg)
It inspired me to start exploring and learning more about these genres. I spent much time listening to Downbeat and Chillout, which included Buddha Bar compilations and mixes.
![bahramji & mashti bahramji & mashti](https://p16.resso.me/img/tos-alisg-v-2102/b5e87a2a13b74040882f8454c8411b77~c5_1000x1000.jpg)
Internet radio was in its infancy days, and á la carte streaming services were not publically offered, hence making DI the major internet radio provider that streamed unlimited electronic music. In fact, the Chillout music channel was broadcasting continuously in my speakers, many days up to 16 hours. I became aware of Bahramji by coincidence, of my assertively dedication to Digitally Imported in 2005. I had uploaded several of their songs from the album Sufiyan, mainly as a way to promote their work and show my appreciation to their immensely harmonic and soothing music. To my surprise, it was signed Mashti, which is the alter ego of an ethnic chillout artist, known for his tremendesouly perfected collaborations with Bahramji. It was a short and brief message in response to one of my music video uploads. Bahramji & MashtiĪ few months ago, I received a YouTube message from a quite interesting person. This is certainly one of those challenging signatures that I often avoid and rarely attempt to play.Įthnic Chillout meet Disco Music: Sina ft. The 8/8 time signature would be similar to a 4/4, thus resulting in 9/8 having an extra beat. Last, as mentioned earlier, the track is an attempt to play with a 9/8 beat. In the future, I will consider applying a dynamic modulation source to the XY controller, to have more control over the note velocity when I am playing the Mey. The RX, Real eXperience technology on my Korg PA900 is truly amazing.Īs for the effects, on FX B, I used Reverb SmoothHall and Stereo BPM Delay. This particular delay effect enables the delay time to match the song tempo, which is optimal for downbeat melodies. I started with a downbeat arrangement, added a few layers in the sequencer and played a custom turkish Mey reed sample, and the Live Piano RX. Note: This is not going to be a “how to play a song in 9/8” tutorial. I typically don’t post my practice sessions, but I decided to take on one of the most difficult time signatures, the 9/8. To draw parallels with Western music, Madonna’s song “Bedtime Story” (released in 1995, written by Björk et al.) has a similar lyrical and graphical inspiration drawn from Sufism. Deriving its roots from Persian poets such as Rumi, Hafez and Saadi, the mystical renditions of the poetry was reflected in beautifully arranged songs that portrayed the mysticism surrounding Sufism, and the one notion of monotheistic beliefs. I was inspired to incorporate some samples from his tracks, and the album Sufiyan was the culmination of spiritual and poetic music in the world of chillout and meditative music. He melts old songs into a new form, creating a meditative sphere to uplift body and soul. Through playing whirling music for wanderers from different cultures, his style has changed from the traditional approach to his own. At the age of 13 he learned to play the Santoor and started to perform at several places in his hometown. As a child he heard the ancient Sufi melodies, which are the inspiration for his music today. Here is a short introduction to Bahramji from his website:īahram (Bahramji) was born in 1952 in the Kurdish city of Kermanshah in Persia. So it wasn’t until I released the second track that I mentioned Soul Awareness. Bahramji & Mashti in 2012, when I released a second remix featuring Bahramji and Mashti. It has taken a long time since I got around to write about this track. I briefly mentioned it in my post Ethnic Chillout meet Disco Music: Sina ft.